Selected Poems Online and in Print |
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Around an Oakwood Fire Wild Roof Journal: Issue 33, Spring 2026 Sitting around an oakwood fire at the end of October after a day of canoeing in the Laurentian Mountains, our T-bone steaks grilled to perfection, we three cavemen wondered about our distant origins, whether we all hailed from one place on another continent and then migrated here, or popped up at different times in different spots around the globe, all our questions readily answered with a little research to refresh what our younger minds once knew. Then the question of what exactly we descended from, one of us asking, “Doesn’t it depend on what it means to be human?” We suspected that our ancestors were also tribal, in it just for themselves, and with well-defined enemies. We wondered why evolution stalled, at least for some. All of It, All the Way, All the Time Misfit Magazine: No. 41, Fall 2025 Driving back home from my step-son’s in-laws’ wooded retreat in the Catskill Mountains after a fine dinner with friends and family, I followed his directions for a rural route I’d never traveled and soon found myself on a winding descent with sweeping S-turns difficult on a dark night to make out clearly, having to continually flick down my brights while turning the wheel as oncoming cars approached. But it was the bullying F-150 pickup trucks following me, traveling above the speed limit and tailgating, that turned this journey from hair-raising to life-threatening with no place to pull off the road and let the pursuers go by, forever hoping they might, all of it coming to a head at a 90º right turn marked 5 mph that I had to take at 15 mph and swing fully into the opposing lane, praying that no other vehicles would be there. The two trucks, virtually glued together, finally turned off, undoubtedly hooting all the way. As soon as I could, I stopped in the parking lot of a village restaurant, put my head down on the wheel, realized that for too many of us, this is what daily existence has become-- the descent, the S-turns, the speed, the bullying-- no longer just story, not solely metaphor. Out of control, all of it, all the way, all the time. Wild Rice and Heron American Poetry Journal: Issue 20, October 2025 You recognize a swamp when you find yourself in one, not by the skunk cabbage, the barely moving water, the trees that have chosen to put down their roots in this place, not even by the delicate ferns thriving in the shade on the gently sloping banks rising from the central creek or stream or brook, whatever it’s called, but the circumstance from which you can’t paddle your way out, a situation you can’t leave, yet can’t stay in. You find yourself slogging through muck, even along marked trails, because someone forgot to build planked platforms to navigate from one dry patch to the next, you having to do that yourself day by day. The wetlands are too wet, but not wet enough to float the canoe you are willing to make to extricate yourself. After all, it’s a swamp, not a marsh you could abide with its body of water nearby that’s not murky—river, lake, or pond. Low-lying flora—pink honeysuckle, yellow flag iris, reeds and wild rice—and fauna to keep you company, not just those long, thin, black water snakes that bite. You might spot baffled beavers going about their work toppling young birches for their house, rows of painted turtles sunning themselves on logs. Gulls, red-winged blackbirds, purple martins, and if you’re lucky, a white crane or great blue heron lurking among the grasses. Not Yet Hawai’i Pacific Review: September 11, 2025 Cracked pottery houses the pink begonias, hairline fracture not yet grown large enough to cleave the pot in two, the soil drained of its moisture, but not yet spilled, blossoms not yet wilted. Away from the fissure, blue petals beneath the surface’s glaze, clusters of three, detached feathers from a blue jay no doubt, no longer nearby, but likely not yet deceased. A bee alights, draws from the nectary, picks up pollen from sticky stamens and hopes it can find pistils to pollinate. The sun votes no, passes through a cleft in the clouds, slips out of the blue. The nation, too, waits to heal. Halfway (accepted as The Importance of Halfway) The Montreal Review: August 2025 Used to be the inn between two towns, the place to rest when the journey was long, and now it’s a house for a stay before returning to normal life. When a journey seems too long to complete, we break it into segments, halfway becoming the goal to render the rest feasible, a psychology to trick ourselves into thinking that the whole is achievable. Still, the rest is also a trek, its halfway point becoming the next marker, and so on, each remaining part only half the last. We never make it to the end, so the mathematical conundrum goes, the fallacy in logic that each portion takes the same time. As parents, we keep telling our children they are halfway there, wherever there might actually be in that moment. For us, if that spot is where we feel adjusted to our life situation, the end state may not be obvious or desirable, the ultimate target elusive, uncertainty all but certain. Of one thing we can be sure-- at some point, we will find ourselves halfway to our demise, just never know when. Trespassers Will be Fed to Snapping Turtles bluevilla.org/poetry: 2025 The small notice nailed to the side of a swim dock pulled from the water to rest on the beach for winter at Schoolhouse Pond in Chatham, Cape Cod. Appropriate punishment, no doubt, for the offense of my sitting on that dock for a rest during my walk around this large kettle pond. Haven’t ever seen any snappers in these parts and neither must have the many swimmers of these waters every day in the summer. But I can see a strict schoolmaster in his tiny one-room schoolhouse on the pond back in the days of the early settlers threatening his children with such punishment for failing to do their homework on time or for fooling around in class. And I can see a smart-ass kid retorting that he’ll just take the turtle home to his mother to make into a delicious soup or stew, leaving the master no recourse but to tell him he can’t go home until he’s successfully summed the numbers 1 to 100, then embarrassing him in front of the class by saying that the mathematician Carl Friedrich Gauss did it in his head during detention when he was only five. The Sun God’s Sun Dog Abstract Magazine: June 12, 2025 When he said its name, the more common one, I thought of Aten or Ra, mythology learned long ago, but no, he said, not god, but dog, so I dispatched Zeus walking his, and suppressed my overall dislike of dogs unleashed on the paths I walk, those signs denying their rights the owners claim, but not that type of dog, he said, instead the kind revealed to him when he and his mother marveled at the sky one evening, happenstance she said, clouds found 22° aslant from the setting sun, a bright spot in his day, rainbow colored, as if another sun had suddenly been born, the sundog. Down Here On Earth Green Hills Literary Lantern: Issue XXXVI 2025 Mid-December, lakes and ponds frozen over early this year, Canada geese late to organize their voyage south, their honking louder as more and more V-formations unite to form a vast geometric array overhead. Down here on earth, we have learned how to honk at one another, have trouble sharing a common purpose, unable to join others from different flocks, choosing instead to head on divergent paths, like when a couple reaches a fork and decides to continue their journey apart, waking one day to see that what bound them together got lost along the way. The Shape of Things Third Wednesday Magazine: March 13, 2025 From a young age, my sister had a knack for seeing beyond the big picture to the shape of things that composed it. Our father would cut out a photograph from National Geographic, glue it to plywood, use a jigsaw to fashion pieces of a nature puzzle for her. Right-side up they were too straightforward, so she turned them over. Back then, she could deal with upside down, but like most of us these days, she’s unable to puzzle out the shape of things in the world, especially south of her border-- living in Victoria B.C. no escape from the goings-on in Washington D.C., distress she wishes her country could place a tariff on. Wonders what will become of her. Can no longer make any of the old pieces fit-- as if she’d sat on a wall and had a great fall and can’t put herself together again. Hydrodynamics Tupelo Quarterly: Issue 34, Winter 2025 So-called Lake Marie, more a pond on which I watch ducks at play; it qualifies as a lake because it has both an inlet and outlet, as does my brain these days, more outgoing than incoming except when news flashes overwhelm, a torrent like the last three days of rain, water nearly a foot above the outlet drain. Whirlpools form at the left and right, migrate toward the center, coalesce, snag dead oak leaves, and suck them down to pass through the culvert under the road to join the stream someone long ago named the Saw Mill River when there was a mill with saws buzzing through logs all day, a noise more constructive than today’s guns and bombs, my mind caught in a vortex of wars, like drowning in a current you can’t fight, one that pulls you under, the equations that govern its dynamics not solvable in grad school, less so now. Headstone. Footstone. Third Wednesday Magazine: September 6, 2024 Strolling through a cemetery on Cape Cod reading inscriptions, I thought of the graveyard I visited on the first anniversary of my mother’s death, her ashes buried a body’s length apart from my father’s, his marked by a headstone, hers by a footstone, the requirement in the military section for a serviceman and his wife, like so much else from their generation, his work as principal of a college valued more highly than hers as Brown Owl for a group of young girls, decades of church work making dressings for cancer patients and leading line-dance classes for the elderly. That rainy day, I found my father’s easily, but had to sweep away wet leaves to locate hers. Unable to be at her bedside during the time of Covid, I knelt and whispered a final thank you and goodbye. Ode To A Tour Guide Crab Creek Review: Spring/Summer Issue 2024 From under your floral parasol, accented English words erupted from Greek roots. You described how the owners of the large house whose ruins I stood within had lived. Now, walls partly gone, no roof, the atrium’s tiles faded and eroding. It’s a tragedy, I said. You told me that word comes from a half-circle amphitheater where male actors staged six-part dramas in a language whose word for a ritual slitting of goats’ throats on an altar is tragedy. It’s time to change the marble head on the statue outside, you said, because passers-by need to know who lives inside. When someone new moves in, they leave the torso in place, change only the head. Strange, I said, for the torso holds the heart. We talked about my house. What do they do, I asked, when no one moves in, but someone moves out? Caterpillar 2River: Issue 28.3, Spring 2024 I know it’s merely physics at work, not some artist who snuck down to the pool during the night after the late January snowfall to create her art on the pool’s cover, no telltale footprints giving her away. But the brush strokes are perfect, sweeping the middle section of the canvas clean, curving the edges of each abdominal segment of the giant caterpillar inching its way free. What force of nature could so neatly clear the lowest point of the cover instead of piling up snow there? Surely not gravity. I can’t help but think of the artwork as a sign that at least here, if not everywhere, the weather is changing, the caterpillar about to spin a large chrysalis. Soon a butterfly. Doctor-Speak Arts by the People: March 1, 2024 It was as if my young son were strolling at water’s edge on a cloudless day, not even noticing his own breathing. The doctors would have said that his alveoli were clear as the sky. Then, from some unseen singularity in the blue, his lungs became so engorged they seemed to contain an entire angry ocean. The doctors can only mumble idiopathic, idiomatic I learn later for not knowing what to say when they don’t know what to do. I hear them speak of eosinophils, a type of white blood cell, they say, but it sounds to me more like whitecaps attacking the shoreline of his bronchioles, his chest heaving, every breath become an act of will. They preach the power and glory of cortico-steroids, but I only want them to part the sea, let him walk clear across to land. Never Quite Mastered It (accepted as Lessons from a Shore Walk) The Rockford Review: Winter/Spring Issue 2024 On a gray misty morning at high tide on the Red River, we gathered with the guide, older folk sporting binoculars learning about the migratory habits of shorebirds-- great and snowy egrets, willets, semipalmated sandpipers, sanderlings, piping plovers, greater and lesser yellowlegs, ruddy turnstones, and more, present and accounted for, various species occupying the same space foraging at the river’s edge or among shells and seaweed, each with legs, necks, and beaks adapted for probing at a particular depth of water or stratum of sand, not needing to compete with one another for nourishment, no jockeying for position to establish territorial rights, as if some grand designer had figured out how to put the pieces of this biological puzzle together, but never quite mastered it for the human race. Writing my Obituary Passager: Issue 46, Winter 2024 Forever correcting the details in family members’ telling of stories, I was asked to write my own obituary to avoid the trouble I might experience trying to edit it from the grave: Though obviously neuro-diverse, lying somewhere on the spectrum of colorful behavior, he accomplished much in such a short time on earth, leaving it to those he left behind to fill in the particulars. Postscript: Please don’t mention the time I was in the attic trying on period dresses when the doorbell rang and I scrambled downstairs to greet my son’s best friend. Gardening Kestrel: Issue 50, Winter 2023-2024 Mild winter, acorns not buried under snow, no need for squirrels to access the cache they’d stored underground in random spots, and so, come spring, oak shoots popped up all over her garden. She started plucking those poking through the creeping phlox in full pink and violet bloom hanging over the wall along the driveway. Hard work, the new growth having burst through their seed shells, the husks refusing to cede easily to her tugs. She should have caught them earlier. Yet, she was able to render the effort near-effortless by attaching names to the weeds she ripped out by the roots: Mr. Speaker of the House and Mr. Senate Minority Leader; Your Honorable Associate Justice; then sweeping through the lesser lights she judged to be too much in their element, but actually out of place, not in it for the common good. She extracted one after another until she’d amassed a considerable pile of would-be-righteous oaks that, when they grew up, would have thought themselves upright citizens in the community. All this without using toxic chemicals. If only. Painting Atlanta Review: Fall/Winter 2023 He kept up his long walks by the river into autumn, wild asters on the bank thriving in the cold, nearby tall spikes of hollyhocks well past, except a few lingering blooms. The milkweed hung on stubbornly, refused to yield their seeds. Years ago, he and his mother would gather stalks after the pods had opened and the fluff had blown away. He painted the pods’ insides mostly silver or gold, sometimes poppy red, her favorite fall color, arranged the dried plants in vases for sale at the church bazaar. Years ago. He still paints them. Now, nothing but red. Goatland Tar River Poetry: Volume 63, Number 1, Fall 2023 The thing that particularly stands out about the recently completed U.S. census of goats is their extreme concentration in the State of Texas. Not that there aren’t more, best seen by piling 500 of the animals into a single light grey dot on the map, darkened spots then appearing in California, Arkansas, Illinois, and a few others, but there is a large area of Texas that is black, no doubt reflecting Texans’ changing habits regarding the mohair they wear, the meat they eat, the milk they drink, and the cheese they make. Not to speak of the grass and brush they need to keep trimmed. In one place alone, goats outnumber people 22:1. Presumably, polls will soon be taken to add goats to the voter rolls, the state having become too blue for some goatherders’ tastes. Goats are making their mark on the local culture. Imagine a proposal to fit special seats for the wooly creatures in theaters. And that video game, Goat Simulator, with goats yelling like humans, a mere reflection of humans yelling like goats in the halls of government these days. Ripples in the Fabric of the Universe California Quarterly: Vol. 49, No. 2, Summer 2023 The conditions are right—a cloudless dome not cluttered with pinpricks of light, dusk still collecting itself into night. A view clear to the horizon, my gaze a full sweep of one-hundred-and-eighty degrees. Overhead, the Summer Triangle as sharp as I’ve ever found it. To the south, Jupiter, Saturn, and Mars are aligned, maybe an omen that the unrest growing in the world might play itself out before its tidal waves sweep away everything we hold dear. In the grand scheme of things, they’re mere ripples in the fabric of the universe, but not to us here on Earth. Another Lone Alpaca (accepted as Alpacas) Third Wednesday Magazine: April 6, 2023 I’ve noticed that one of them always grazes alone. When I pause at the wall, she will approach for a closer look, probably interested in anyone who’s interested in her, a creature like me who walks alone, grazes alone, often stays home rather than meet a person I might have to talk to, as happened the other day when the driver of a beater stopped beside me and asked if I knew anybody in these parts who could use part-time help. Another lone alpaca, I thought. As far as I knew, I told him, all my neighbors still employed the workers they’d hired years ago. He thanked me for being kind enough to speak with him, and drove away. I turned and walked back to the solitary alpaca to tell her I understood her better now. Child Coloring in a War Zone Grey Sparrow Press: Issue 40, July 2022 Sitting on the stone steps of her broken home, mother and father already gone, only her grandmother left, the girl colors the jigsaw of the girl in her coloring book, who’s sitting on the steps of her own broken home on an empty street. She likes that each piece is a number because she’s always liked numbers. She fills in the 1 with sky-blue, then 2 and 3 with leaf-green, wonders what to do with the number she doesn’t recognize, an 8 fallen on its side. Looking at the plus sign, she imagines the crosshairs of a sniper turning her into a minus. Out of crayons and hope, she, too, will become a number in a war she’s been told is not a war. At another 8, right-side up, her age, she stops, at last understanding the number 0 she left blank, her alone in a world no longer here, the shadow seeping down the page blood-red. You Choose to Die in Your Own Bed (accepted as She Chooses to Die in Her Bed) Third Wednesday Magazine: July 12, 2022 —in memory of my sister-in-law, 1965-2016 The doctors honored your request to stay at home in your own bed. You chose the side you’ve always slept on, near the window through which, when you are conscious for moments that no longer linger, you can watch the remaining leaves— everything else just branches and twigs— detach in the wind. Now you hear wings, the birds also on their way. It’s the passing of fall, this final falling away, leaf by leaf, bird by bird, and you, pound by pound, your body nearly weightless now, skin drawn tight over bones almost porous, you light enough to be able, at last, to fly. Remembrance Day, 11/11/11 Virginia Quarterly Review: Volume 88, Issue 3, Summer 2012 Uniform and medals in place, he began to recite: We few, we happy few, we band of brothers… I let him continue, word for word to the end, pausing only for proper punctuation. Perfect, just as in his prep school days. Blue ribbon. Forest of Compiègne, I said. Not Agincourt. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow… He proceeded through the rest of Flanders Fields alone. I asked, Can the dead be happy?, knowing, as I always do, what he’ll say: Not unless they see sunrise and sunset. At eleven, the sun was almost as high as it would get. They remembered my father at the chapel, asked how he was doing. And as he had the year before, he told them about his days in flight training, the time he flew over his prep school’s football field, almost touching down, almost not making it back up, goalposts nearly nicking a wing. Back then, Henry V was firmly in his place, Lieutenant Colonel McCrae, too, but not me, not even an inkling though he knew his bride-to-be. Hey, Dad, do you remember meeting Mum, I asked, and he joked: When they heard I’d been given a commission, they surrendered. So did she, I thought. When we came out after the service, we saw that clouds had gathered on the day, the sun strafing them in a few spots. Over a spot of lunch, we talked about what he could remember, pockets of recollection in odd places and times, his unusual condition unkindly rendering some of the unforgettable lost while leaving much of the forgettable found. He recalled the birthday gift for his brother who guessed what it was after he’d asked and was told only that it looked like a hammer. I asked if he recalled hiking with me, navigations by means of compass and map to find unnamed mountain ponds he could call his own. He still did. And also the time he and his brother set a field of brush ablaze with their father’s magnifying glass. But not the birth of his son on the coldest day on record or the party at which he met my mother who’d come with another man. After an early tea, we drove to the lake and watched the sky’s coals burn down. He began to recite Henry V again. It was Saint Crispin’s Day. He was king. Particle and Wave Poet Lore: Spring/Summer 2012 particles have no meaning as isolated entities, but can only be understood as interconnections… —Erwin Schrodinger You and I were doing what we do best— throwing stones— this time from the side of a country bridge into the reservoir, each arcing under the forces of physics until impact, the consequence spreading in ripples, the stone become invisible in the bottom muck, its presence propagating across the surface, as our presence does to the fabric of something less grand than space-time. Then yours and mine cast together, landing in different spots, their wavelets colliding, passing through each other, cohering in some places, canceling in others, the pattern richer for the two than one… then in our excitement, each of us tossing a handful at once, the pattern becoming richer still, not still at all, moving out into the world— children, siblings, parents, friends, adding up to something grand. Problem #193 New Orleans Review: Volume 37.2, 2011 It was Banach’s wife who gave them the journal they called The Scottish Book so they wouldn’t keep losing the solutions they wrote on the marble tabletops in the Scottish Café, those famous mathematicians in Lvov who kept a log of the solvable and unsolvable, as you do now in your journal with the marble pattern on its cover. I’ve been thinking about Problem #193, Banach’s puzzle involving a mathematician who carries two boxes of matches, one in his left pocket and one in his right, each with M matches at the start. To light his pipe, he chooses a box at random, removes a match and strikes it. Does this every time until he finds one of the boxes empty. But how would he know? When he reaches for another match and finds the box bare? I’ve been thinking this could be us. Not the times we’re lying in bed bantering, when you keep talking into the silence until you realize my last match has already been spent and you still have N things to tell me. It’s after another fight has burned down almost to silence, when you wonder aloud whether we began with equal amounts each. Whether anything’s left. Billy and Stephen and Me Alaska Quarterly Review: Vol. 1-2, Spring/Summer 2011 —for Billy Collins and Stephen Dunn Billy would tell you about the little flame at the end of his pen while he rocks in the hammock listening to wild turkeys rustle last autumn’s leaves as they run toward and away from the stream. Stephen would tell you he’s like the turkeys, unsure whether he’s coming or going, how that confusion has a certain beauty which can’t be uprooted once it takes hold, and I— I’m the one in the hammock, reading both on this first warm day of spring, coming from one to the other, going back, pausing every few pages to let the words plant themselves, and thinking how hard it was last fall to drill holes in each urn’s composite base so this year’s flowers wouldn’t drown— likely red, white, and pink impatiens again, because habits don’t break easily and those flowers crave shade. Billy would say there’s too much shade in the world, Stephen that we cast too much on ourselves. In Confidence Southern Review: Winter 2010 Why does leaning on the rail of a deck and looking out over layers of hills as buds burst through their coverings evoke the big questions? Like why are we making such a mess of it all? Ask Sunday’s dissonant choir of birds in the newspaper’s Week in Review, always a replay of the same failures. Lots of cartoons there to remind us that making fun of ourselves is a start but not an end. Take today— though it could be any day— a young girl with a bow in her hair asking her bald-headed ex-VP granddad to teach her new dog a trick, so he grasps the pup by its scruff, and pours a glass of water down its throat while screaming, Speak! Speak! I know we should, but it’s so hard to feel tortured out here watching the oak unfold its leaves. Besides, waterboarding sounds like an amusement park ride, what you might do with your kids at Typhoon Lagoon. I know I would give up secrets. That’s why you should never trust me with one, though I must admit that your brief affair with a colleague will always be safe with me. Richter 7.8 Tar River Poetry: Volume 49, Number 1, Fall 2009 Dark energy and dark matter describe proposed solutions to as yet unresolved gravitational phenomena. So far as we know, the two are distinct. —Robert Caldwell, cosmologist, SciAm.com, August 28, 2006 Such a waste to spend a life thinking about the impossible to figure out, like where the spirit goes when detached from its body. An alternative universe perhaps. That’s where dark matter enters, not how physicists hypothesize, but the way it casts light on everyday affairs. I, for one, am stuck on the question of how dark matter and energy can be separate and distinct when plain mass and energy are equivalent. We’re told we need both types of darkness to fill what’s missing, yet one pulls us together while the other propels us apart. What we can’t find in our world must be the substance of another, worlds that look to each other for what’s missing, each a resting place for the other’s souls, an answer to why any god would allow a quake to bury nine hundred children under a school, what’s so incomprehensible here on earth maybe making sense in the place where all those students have found new flesh to wear. Half-Finished Bridge Southern Poetry Review: Volume 46, Issue 1, 2008 No important work to do today, I think, as I lie in the hammock one last time before storing it for winter, just a few chores around the yard— deck chairs to be stacked and stashed away and the lawn raked despite the pears and oaks hanging on to their green. Stamped on the pencil I’m using, first snow falling on the half-finished bridge, now as in Bashō’s time, the halfway done possibly a road to nowhere, like the wars we shouldn’t start and the marriages we can’t finish. But he must’ve meant that I find myself amidst the season’s first flurries, leaves collecting at my feet as I rock in the wind, writing to my father that I’m grateful he’s still alive and there’s time to erect the rest of the trestle and walk together to the other side, light snow falling on our backs. In Spring, Mathematics Are Yellow New Delta Review: Volume 22, Issue 2, Summer 2005 I’m sure there’s something fractal in forsythia, not so much its chaotic sprays, which are probably not parabolic curves (and certainly not catenaries hanging under the weight of blossoms), but the contours of the bush, branch, and flower that are shaped like a year in my life or its day or hour. Up close, I can see each bloom has four petals, thus proving the limits of Fibonacci’s reach, his long arm able to paint five on the pansies I potted for my wife, but not across the street where our neighbor buried perennial memories of his wife ten years ago. How odd never to have seen the daffodils as hexagrams before. They die too soon, unlike the dandelions that dot my yard— too many to fight, yet finite, unlikely Fibonacci, though undoubtedly fractal (or so Mandelbrot would claim), always inappropriate for bouquets of reconciliation, firmly rooted in the life of my lawn, while the lawn of my life goes to seed faster than an exponential plot, and all the quantized fluff tunnels into next year’s plans, like it or not. Chemotherapy Hurricane Review: Volume I, Issue 1, 2003 From the window, she can see the breeze riffle the forsythia’s yellow spray, and near the willow, her favorite magnolia, a pointillistic pink-and-white pastel not yet painted over by leaves. Sometime between the wind taking no note of bare branches and the forest hiding behind its green, her apple trees will become giant dandelions gone to seed. In this fragile equilibrium, an ether between too many and too few, she lies down beside her sleeping lover to stroke his back, and almost forgets about this time next year. |